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| Wives Behaving Badly |
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an introduction to
Wives Behaving Badly
Thousands of readers fell in love with and rooted for Rose Lloyd, the winning heroine of Elizabeth Buchan’s bestselling novel Revenge of the Middle-Aged Woman. What could be more delicious, more satisfying, than hearing how it all turned out for “the other woman,” Minty, who stole not only Rose’s husband but her job as well?
In Wives Behaving Badly, we are privy to the good, bad, and ugly of Minty’s story. She has now been married to Nathan for seven years and given birth to twin boys, Felix and Lucas. But things haven’t turned out exactly as Minty planned. She seems unable to shake the stigma of being “the second wife.” Despite redecorating the entire house, Minty finds the memories of Rose are everywhere. And ironically, after a passionate start, she and Nathan now find themselves immersed in the very domestic boredom that Nathan left Rose to escape. Worst of all, Minty is plagued by nagging doubt—does Nathan really love her or does he still love Rose? Did she ever truly love Nathan, or was it the promise of a comfortable life that won her over?
When Rose calls Minty one day with terrible news that suddenly changes her world, Minty must overcome her shock and face head on all that she ever questioned and doubted about her marriage and her life. Once conflicted about motherhood, Minty now finds herself fiercely devoted to her children. Where before she always put herself first, Minty now comes to the aid of her nanny, her stepdaughter, and her best friend. At this time of her own great need and sorrow, Minty is finally able to give of herself. She grows up into the mother, friend, and person she never thought she could or even wanted to be. And perhaps her biggest step forward is her embracing of Rose. Once dear friends and then bitter adversaries, Rose and Minty find themselves bound together by the very thing that drove them apart: their love for Nathan.
With her signature wit and unflinching eye for the modern day drama of everyday domestic and professional affairs, Elizabeth Buchan has once again created a brilliant and poignant story about women, family, and friendship, and the bumpy journey we all take toward a life we hope is worth living.
| 1. |
.How and when did you decide to write this sequel to your hugely successful book, Revenge of the Middle-Aged Woman? And how did you decide to do it from Minty’s point of view, as opposed to perhaps the more obvious choice of using Rose’s voice? How did you feel about Minty when writing Revenge of the Middle-Aged Woman and did your opinion change or evolve in any way as you wrote Wives Behaving Badly?
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The idea for Wives Behaving Badly came to me when I was asleep. I woke up one morning with Minty in my head. I have written two other novels in between but, at that moment, I knew I had to complete the circle of the story which began with Rose and the destruction of her marriage to Nathan. From the first, I felt – and my observations bore this out - that these kind of situations are never straightforward, and so it proved to be as the novel began to roll onto the pages. Rose and Minty are linked together in a complicated way. Neither can dismiss the other. When I wrote Revenge of the Middle Aged Woman I was inside Rose’s head. Now, I had to perform the ventriloquist’s trick and climb inside Minty’s. Not surprisingly perhaps, since I had to establish an intimate acquaintanceship with her, I found myself rather involved with Minty. She had done great damage (so had Nathan) but, by the end of the novel, a different Minty was emerging: battered and chastened but on a new path. I hope readers will understand her better and like her enough to enjoy her particular take on life.
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| 2. |
Minty’s pain and reaction to having her husband die rings very true. In her book, The Year of Magical Thinking, Joan Didion talks about how the shoes were the only possessions of her dead husband’s that she could not bear to part with. Minty has the same trouble with Nathan’s shoes. Did you do some research into dealing with the death of a spouse, or did you go by instinct alone as to how that loss might feel?
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I am so thankful to say that I have no experience of a spouse’s death but, like everyone, there have been people close to me who have died. Looking now at the text, I can see that I drew on the experience of my father’s death, although I was not aware of this as I wrote it. Your question had made me think back and I remember in particular when it came to sorting out his clothes it was almost impossible for my mother and my sisters to throw away his ties and his army medals. They were so much part of him. To discard them seemed like the final straw, the final blow. There is always some object, very often an unexpected one I suspect, that comes to embody the dead person and that object seems to hold the very essence of them.
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| 3. |
Minty has many good women friends (Paige, for one) yet betrayed one of her best friends, Rose. To generalize, this seems to represent a paradox about women—they can be very loyal to one another but destructively competitive as well. Why do you think women do such mean things to one another? How do they differ from men in this regard?
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Are men and women so different in this respect? If you look at the events in the average boardroom or council chamber there are many, many betrayals and bloodlettings by men. The difference is: those betrayals are portrayed in a different guise. They come under the heading of ‘business’ or ‘economic growth’ but the human activity going on under those banners doesn’t deviate very much from the activity that goes under the banner of ‘family’ or ‘friendship’. It is interesting how we respond to both. If something is deemed ‘good for business’ then it gets a tick, even if that ‘something’ is questionable morally. We are far less forgiving of, say, the other woman such as Minty. Having said that, what Minty does is unforgivable on many levels for she does betray a friendship and, as it turned out, destroys a family. Yet, Minty is looking after herself – and do we do any different? There is a part of Minty in all of us – and the struggle to balance morality with the impulse to serve our self interest is one that continues through life.
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| 4. |
Work is often ignored in novels, yet you always highlight its significance in your characters’ lives. Would you talk about why the role of work seems to interest you so much and why it is often overlooked in many novels?
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When my mother was a young woman, most women had to give up their jobs when they married and she was obliged to obtain her husband’s permission to run a separate bank account. Women going out to work has transformed many aspects of modern western society. But it brings enormous pressures, it takes a toll and it has affected the way the family works. The subject of work, and mother’s working in particular, must be a huge and an important one for the writer – perhaps I feel especially strongly about the need to explore this in fiction because that I found being a working mother was very difficult and exhausting! I don’t think there are any easy solutions though.
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You have called marriage an “endlessly fertile theme” for a writer. In an interview for The Good Wife Strikes Back, you said you were interested in asking why marriage works and why it lasts. Do you think you’ve figured out a lot of these questions over the years and answered most of them, perhaps with this novel in particular?
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I think I can safely say that there is no one definitive answer… The ‘health’ of marriage – and judging by the divorce figures this a little rocky at present – is an indication of what is going on with people and the society they live in. Until recently, marriage was one of the building blocks of society. It was sanctified by the church, and ratified by the state. Governments and experts talked about the family and made decisions and assumptions based on the old nuclear unit. That is all changing. There are many reasons why this is happening. In my novels, for example, I have explored the wife who stayed with the absent and erring husband, the abandoned wife and in an earlier novel, Consider the Lily, I wrote about the initially loveless marriage and how it was transformed into something that worked. In each of these situations, there were hugely interesting psychological and social aspects to write about – as well as the story. For example, In the Good Wife Strikes Back, the wife decides to stay with her husband because she does not want to damage her daughter and she decides to take the risk. In Everything She Thought She Wanted the contemporary heroine has to try and balance marriage and motherhood with her work. In Wives Behaving Badly, I compare two other marriages to Minty and Nathan’s. Some might conclude that the bargain Gisela has struck with Roger to be questionable – but the marriage works. More problematic is Paige and her marriage to Martin – but Paige is undergoing a type of transition as she pushes herself back on track from having three children after giving up a high-powered career. It is going to take time for Paige to pull her type of personality back together into reasonableness.
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| 6. |
In writing about Nathan’s death, you seem to have crossed over into some darker territory than your previous novels covered. Do you agree? Would you discuss the arc of your “writerly life” and how relevant your stage of life is to what you are writing at the time?
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I have written about death before. In my second novel Light of the Moon quite a few characters met their deaths, including the main hero, because it was a wartime story and, in the circumstances, sadly inevitable. In later books, there have been deaths but I have never before tackled the subject quite so ‘close up’. I had to think very hard to try to convey its enormity and, yet, how death is felt and experienced in small everyday ways. A friend of mine told me that the death of her husband hit her hardest when she had to change a light plug. It is those telling tiny details which I chose to work with. With respect to the ‘writerly life’, the novels have reflected the stages in my life. When I younger I chose to write novel with ‘bigger’ backdrops – the French Revolution, the Second World War. It was very useful for the infant novelist to have a set watershed against which to pose characters and demand courage, hardship, passion, daring etc from them. As I progressed I became very interested in the smaller, but no less significant, arena. It seemed to me that those important shifts in emotion and sensibility can happen when you are shelling the beans at home as it can when you ride out to battle. And when I stepped into the middle-age bracket, I felt I had no option but to write about it – because I discovered that it was an exciting place to be.
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| 7. |
Did you plan on having Nathan die when you first started writing Wives Behaving Badly? If so, did you think it was absolutely necessary in order to tell Minty’s story, and if not, how did you decide on this dramatic turn of events?
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Yes, I knew Nathan would die. This was a ruthless decision but I needed Minty to have to face the situation on her own in order to make the emotional journey that I planned for her. I also wanted to examine the dynamics of this triangle. I suspected, and it became increasingly clear as I wrote Wives Behaving Badly, that it was not Nathan who occupied the top of triangle but Rose. Her power became greater because of her absence from the marriage. She was the hovering ghost. The Other that haunts us. When Nathan dies that shifts into another plane and changes shape. Rose becomes – with some difficulty and distress – a kind of ally and Minty discovers that it is her children who now haunt her – as every new parent discovers.
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Whose story are you most interested in telling next?
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I have become fascinated by the illuminated Books of Hours which were produced in medieval times. They were often stunningly beautiful and I want to write about a woman – her name is Nell who is struggling with depression after the death of her baby and the disintegration of her marriage. As an expert in the illuminated, medieval Books of Hours, she is employed by the fabulously wealthy David Prince to put together a collection for him. While visiting her French father near Poitiers, Nell stumbles across a clue which suggests that a lost Book of Hours by the famous painter, Pucelle fils might have survived the centuries. As Nell follows up the clues which takes her through France and Italy, she senses that she is coming back to life. As she circles closer to finding the lost Book of Hours, she discovers that the woman for whom it was painted, Chiara d’Alessi, had a strange and extraordinary story and, if Nell looks hard enough, she will find out what exactly.
It’s a story of an emotional, spiritual and historical journey and I hope to have lots of detail about medieval life and painting, and also about the highly charged contemporary art world which seethes with ambitions and egos and is driven by a combination of big money and a love of beauty. |
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