1st Extract:
WARNING
STOP CHUDLEIGHS DON'T HAVE A
BLOODY PENNY STOP RUPERT
Across
his mind flashed an image of Hinton Dysart on a spring morning,
set in tangled green and serenaded by ring doves. It was followed
by the darker image that always made him want to run away... as
far and as fast as he could. He hovered on the edge of anger. 'Be
patient, Daisy.'
He's
been warned off. As sharp as a razor, Susan's words cut
into Daisy.
'Daisy.'
Kit slid his arms around her and held her tight. Dust blew in from
the road and the wind whipped around them. Daisy shivered inside
the prison made by his body.
'Luggage
labels, Kit, and telephone calls. That's what it boils down to.
I think we should end this conversation. There isn't any point in
it.
Kit
took Daisy by the shoulders and forced her to face him. 'But you
do understand?'
Wild
with hurt, and with despair because it had all gone wrong, she lost
her temper. 'What is there to understand?' she blazed.
In
the fading stormy light, her face turned pale, foxlike and unreadable.
Her eyes narrowed in rage, and her hair lost its brightness. For
a moment, her beauty and sureness were gone, and she seemed out
of her depth.
As
quickly as it had erupted, Daisy's anger died. 'Kit, I'm sorry.
That was unforgiveable.'
'I
have to go home to Hinton
Dysart,' he repeated, teaching her the fact as if to a child. 'I
cannot abandon it or my father, and I have nothing to offer a wife
at the moment except a mountain of debt.'
It
was on the tip of her tongue to ask, 'Since when did a huge house
and garden constitute nothing?' Instead she said, 'And I have nothing
to offer you?'
'Please.
Don't'
She
stood by the carved stone pot and deadheaded the geraniums. As she
watched the faded petals yield to the mistral, she contemplated
the wounds of a love affair - its humiliations, its quicksands,
and spoilt promise. 'I thought it would be different, Kit' she said
miserably. 'I thought we would make it.'
Her
mother was right. Kit had been warned off.
'Daisy!'
All rivers, however clear, flow over mud, and mixed into Kit's passion
for Daisy was a sediment - and a wariness - that stemmed from a
long time back. 'I wish I could make you understand, my darling
Daisy. Everything's all right. Truly.'
'Oh
Kit.' With one of her graceful, unpredictable gestures, Daisy turned
to Kit, and her arms snaked up his chest and around his neck. 'Are
you sure?' She pressed her body into his and willed him to say:
Come with me.
Tempted
to say 'to hell with it', aching from the contact, Kit hesitated
- and thirty seconds passed that were to colour the rest of his
life.
With
a waft of bruised geranium, Daisy released him, turned and made
her way across the lawn to the terrace. 'I'll see you in London,'
she called.
'Daisy.'
In panic at the peremptory leavetaking, Kit moved too fast, slipped
and fell onto a knee. Wincing, he scrambled to his feet while Daisy's
diminishing figure slid in and out of the shadows, insubstantial
and unearthly. Then he limped after her, caught up and grabbed one
of the straps of her pink dress. 'Don't say it like that.'
Daisy
waited for Kit to drop his hand. 'I understand, Kit, really I do.
Look, I've been meaning to tell you. There's someone else... someone
who wants to marry me.' Her beauty had returned and in the stormy
afternoon, she seemed lit up by the drama of the moment and by an
emotion he did not recognize. 'His name is Tim, and I'm probably
going to say yes.'
Kit's
grip on her shoulder was savage and she cried out.
'You're
making it up.'
'No.'
'I
can't believe it.'
With
a shrug Daisy moved away. 'it was fun, wasn't it, Kit? I enjoyed
our time together.'
'Fun...'
The word hung in the dusk. Kit stood motionless as she walked towards
the house. 'Yes, it was,' she called over her shoulder. 'I shall
think of it when I'm back in London.'
'Daisy.
Listen to me...' Kit was planted into the stone.
'It
didn't take much, did it?' A thin, disembodied voice floated back
to him.
'To
do what?' he called out, forgetting there were other people in the
villa. 'To do what, Daisy?' he bellowed in bewilderment.
'To
be put off.'
Daisy
vanished through the curtains at the french windows.
No
sponging on their good will. No sponging on their good will.
The
overnight train from Nice to Paris clacked out the message and Matty,
a book unread in her lap, listened to it. Sometimes it sounded as
hard and metallic as Aunt Susan, and at others it whispered as the
train glided over points and down gradients.
Perhaps
she was a little light-headed with fever from the infected bites,
for strange thoughts filtered in and out of her brain. They drifted,
tantalizing and out of reach, and she tried to catch them - rebellious,
daringly coloured butterflies in the bell-jar of her mind.
The
mirror in the compartment swung to the rhythm of the train, and
her reflection became a many-angled composition. There was her blotched
face, so different from Daisy's beauty, which Matty would never
have. The demon of jealousy stirred. So unlovable compared to Daisy,
it whispered, so uninteresting, so unformed.
No
sponging on their good will.
Outside
the window, France slid past, the lights of towns and villages beaded
along the track. Already it was cooler, and when they nosed between
foothills of the Alpes-Maritimes a scent of pine overlaid the smoke.
Matty
poured water into the basin and began to wash for dinner. Two years
ago, she had been browsing through a selection of American periodicals
and had come across an article by the American feminist, Emma Goldman,
which she had never forgotten. Emma had said 'True emancipation
begins neither in the polls, or in the courts. It begins in a woman's
soul.'
Matty
well remembered her shock when she read the words - a sense that
she had encountered something daring and grand in scope. Of course,
she did not consider they applied to her - Emma was much too heroic
for the soul that huddled inside Matty's delicate frame, the stepping
stones to Emma's bold state of mind too far apart.
And
yet. And yet.
No
sponging on their good will.
She
thought back to the Villa Lafayette, criss-crossed with vivid sensation
- sun, sea, the intensities of falling in love, jealousy. Marcus
and Flora. Daisy and Kit. Mosquito bites. Sweat-bathed nights. Unfamiliar
longings.
he
wouldn't want me, Matty told herself. Hugging a mental picture of
a remote figure who made conversation about Damascus and roses.
Never. But then, she added that was not surprising. She wouldn't
have wanted herself.
She
began to dress.
End
of 1st Extract
2nd
Extract:
Three other women were eating breakfast
in the restaurant. One was young and expensively dowdy. The second,
decked in unnecessary furs and made up with scarlet lipstick and
Vaselined lids, looked no better than she should be - but since
she was undoubtedly beautiful and excuded inviting sexuality, men
hovered at her table. At a table opposite, an older woman in a grey
felt hat and a sensible Harris tweed suit hugged a glass of brandy
and soda as if her life depended on it.
To give herself courage matty also
ordered a brandy and soda. When the steward brought it the restaurant
heaved with a clatter of china, and she braced her feet on the carpet.
Her hand shook only a little when she raised the glass to her lips,
and Matty was encouraged. Freed from the heat of Villa Lafayette,
she felt better. Stronger. More determined. More like the women
she wished to be like. She gulped down another mouthful.
If Matty was going to do what she
planned, it had to be now while her courage was high and her inhibitions
were down. The moment was right - a powerful instinct told her so
- but her terror was such that she thought she was going to faint.
Two minutes later, half the brandy and soda had disappeared, and
fanned, warm and supportive, through her. Dear Emma, Matty headed
her prayer, whoever you are, I want you to know you have a lot of
answer for and I, for one, hope that you are right.
She got up, permitted the waiter
to pull back her chair and to escort her out of the restaurant.
Outside, the wind immediately attacked her hat and roared past her
ears, and waves threw drifts of spume over her face. Kit was still
standing at the rail, gazing back towards the vanished French coastline.
Stepping carefully over the deck in her inappropriately high heels,
Matty approached him.
'Excuse me,' she said softly.
Evidently Kit did not hear her for
he said nothing.
'Excuse me,' she repeated, and touched
his forearm. Puzzled by the interruption, Kit turned his head and
looked down at his travelling companion. Later, he remembered thinking
how badly she carried fatigue. She looked ill, frightened and very
small. The wind whipped a strand of hair across her cheeck and she
pushed it back with a hand that trembled visably.
'I hope you don't mind me interrupting
you,' she said.
Normally polite, Kit's expression
was not inviting and she shrank inside. 'No,' he said, barely concealing
his reluctance. 'Of course not. Do you need help?'
Matty lost her nerve and floundered.
'I was just wondering what time we will dock.'
Kit pushed aside thoughts of the
weary business of settling debts and making decisions about what
to sell, what to keep, how to stay solvent, and consulted his watch.
'Another hour,' he replied. 'Are you feeling all right?'
'Perfectly, thank you.'
There was silence.
'Could I get you something to drink?'
he asked over the noise of the wind.
'No. No, thank you. I've had a very
good lunch.'
After that exchange Kit appeared
to forget she was there, and gazed out over a sea heaving with white
crests. Matty looked down at the deck, at her feet braced against
the swell. Someone had dropped a raisin scone, and it lay squashed
into a heap of black and white crumbs. Anger at Kit's indifference
stirred life into Matty. She tugged at Kit's sleeve.
'There is something I would like
to ask you,' she blurted out, but half her words were lost. Kit
cupped a hand to his ear. 'Something I would like to ask you,' she
shouted into the wind.
'Yes,' he said, tight-lipped.
Matty was almost deterred by his
stony expression, but her anger was growing. Go on, it urged.
Propelled by its force, Matty began
again. 'I wondered...' The spectre of Emma Goldman filled her vision
with a grand and daring dream. Matty ground out between set teeth:
'I think you should marry me.'
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